| |
|
| |
| A treasure of
St Leonard's not often seen is the memorial brass under the chancel
carpet. This depicts a lady of the Hay dock family and her two daughters,
dressed in the fashionable clothes of the yeoman's wife of their day
- farthingales and ruffs with the familiar late Elizabethan cap headdresses.
The daughters are shown dutifully kneeling. The brasses are in fine
condition but although the Tudor roses at the corners are intact some
of the inscription has been lost and now reads as follows: '.... 1608
of XI Day of...' |
| |
| Other features
of interest are the brass ceremonial cross and the telescopic communion
rail of 1872. There are also several brass plates which remember people
who have given service to the church, the most recent being in memory
of Peter Holmes, choirmaster from 1971 to 1996 and still very much
missed by the choir and congregation. |
| |
 |
| Brass ceremonial
cross and Communion rail |
| |
| The
Nave |
| At the east end
of the nave is the other main focal point of the church, a fine Jacobean
carved and panelled oak pulpit. The teaching and preaching of the
Word of God, the Bible, was reinstated at the time of the Reformation
in the 16th century, and a raised pulpit enabled the preacher to be
seen and heard. |
| |
|
Jacobean
carved and panelled oak pulpit |
| |
| The brass lectern
(reading desk, from which the Bible is read) is of the late Victorian
period. The two windows to the right of the blocked-in north doorway
also date from this time. An ancient stoup (water-basin) in this former
doorway makes an attractive niche for the flower arrangers. To the
left is a good perpendicular window, which, like the one opposite,
contains fragments of medieval glass. On the threshold of this former
doorway, but only seen from the outside of the church, are the marks
left by the many feet that once entered the church this way. |
| |
 |
| The brass lectern |
| |
| The perpendicular
styled font is carved with Tudor roses in lozenge shaped carved sections.
As in most churches, the font is near the door, symbolising entry
into the family of God. It is quite large, since infants were originally
dipped into the water, rather than sprinkled as they usually are today.
Water for the baptisms was originally taken from the fern-lined well
of Church Cottage, opposite the church. While you are by the font,
look up at the nearby pillar. There is a small carved head of a monk
on the north side. |
| |
|
Perpendicular
styled font |
|
 |
| The wooden pews |
| |
| The wooden pews
were put in at the end of the nineteenth century but the kneelers
were placed there a hundred years later. They were worked by members
of the congregation and donated in memory of friends or family. The
folding padded kneeler was put there by Mr Ebenezer Morse, for the
use of his family early in the 20th century. |
| |
| The hanging oil
lamps were converted to electricity, but became redundant in 1998
when a new lighting system was installed. |
| |
 |
| The hanging oil
lamps |
| |
| Page
5 |